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		Out of print for more than 30 years, now available for the first time as 
		an eBook, this is the controversial story of John Wooden's first 25 
		years and first 8 NCAA Championships as UCLA Head Basketball Coach. 
		Notre Dame Coach Digger Phelps said, "I used this book as an inspiration 
		for the biggest win of my career when we ended UCLA's all-time 88-game 
		winning streak in 1974." 
		Compiled with 
		more than 40 hours of interviews with Coach Wooden, learn about the man behind the coach. 
		Click the Book to read 
		the players telling their stories in their own words. This is the book 
		that UCLA Athletic Director J.D. Morgan tried to ban. 
		
		Click the book to read the first chapter and for 
		ordering information. 
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      | Jumper (7/10) by Tony Medley David Rice (Hayden 
		Christensen) can transport his body anywhere he’s been in an instant. 
		He’s a Jumper, and he’s not the only one. Roland (Samuel Jackson) is a 
		Paladin. Paladins have been trying to kill jumpers since time began. So 
		Roland wants to kill David. Alas, David is a novice at this game and 
		involves his  innocent girlfriend, Millie Harris (Rachel Bilson), 
		thereby putting her in all sorts of jeopardy. Along the way David meets 
		Griffin (Jamie Bell), another Jumper, who sort of takes David under his 
		wing and explains the facts of life to David. So, in essence, this is a 
		chase film. Roland is chasing David and Griffin, and they, in turn, 
		would like to put an end to Roland. Don’t be put off by the fact 
		that it is directed by Doug Liman. Liman was responsible for the only 
		“Bourne” movie I didn’t like, the first one. Then he followed that up 
		with the deplorable “Mr. & Mrs. Smith.” To call that disappointing would 
		be an understatement, but it was the vehicle that got Brad Pitt and 
		Angelina Jolie together. I'm not sure if that's a plus or a minus, since 
		it led to the breakup of Pitt's marriage; not that that's any big deal 
		in Hollywood whose values are, basically, what's good for me is all that 
		matters. If this film is any 
		indication, however, Liman has improved. Sure, there are plot holes. You 
		can’t make a sci-fi film without plot holes. But there are fewer than 
		there could have been and the special effects (Joel Hynek) are pretty 
		good. Here’s how Hynek explains what he did, “There’s always a blur 
		factor involved, which is basically a time exposed motion blur generated 
		by the Jumper’s evaporation into space. There’s what we’re calling a 
		vacuum condensation flow, which is the vacuum and the rapid suction of 
		air the Jumper leaves behind when he suddenly departs. And then there 
		are the “jump Scars,” or which is the swindow, or more accurately the 
		discontinuity in space, the Jumper creates to travel from one place to 
		another.” Well, OK. Anyway, combined with Liman’s beloved hand-held 
		camera technique, it works extremely well. Liman takes advantage of 
		David’s ability to put himself anywhere in the world by having David 
		jump from one exotic location to another, like Toronto, Rome, Tokyo, New 
		York, Mexico, London, Paris, Rome and Egypt. Not unlike a travelogue and 
		the photography is good enough that this is a real plus for the film. This film isn’t one of the 
		all-time greats, but it’s not bad. Be warned, however, if you’re a fan 
		of Diane Lane, don’t blink or you’ll miss her. Her total time onscreen 
		is probably less than a minute.   |